Everyday Hybridity

Dr Paul O'Connor
Anthropology/Sociology/Cultural Studies/
Hong Kong/Ethnicity/
Skateboarding/Everyday Life

Lecturing in Anthropology at CUHK

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@peejayohhsee
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  1. Cartography of the Internet.

    These two maps have been produced to represent the most visited sites on the internet in each region.

    The homogenous nature of the map is not too surprising. Previous versions of world system maps colour coded countries to match their colonial links. Those patchwork portrayals were much more diverse than these new representations.

    The first map also represents this information in combination with the hexagonal internet population map. We therefore see an image of where the majority of the people are online, and how the majority also shapes the internet for the world.

     
     
  2. "The second avatar was the map-as-log. Its origins were reasonably innocent - the practice of imperial dye. In London’s imperial maps, British colonies were usually pink-red, French purple-blue, Dutch yellow-brown, and so on. Dyed this way, each colony appeared like a detachable piece of a jigsaw puzzle. As this ‘jigsaw’ effect became normal, each ‘piece’ could be wholly detached from its geographic context. In its final form all explanatory glosses could be summarily removed: lines of longitude and latitude, place names, signs for rivers, seas, mountains, neighbours. Pure sign, no longer compass to the world. In this shape, the map entered an infinitely reproducible series, available for transfer to posters, official seals, letterheads, magazine and textbook covers, tablecloths, and hotel walls. Instantly recognisable, everywhere visible, the logo-map penetrated deep into the popular imagination, forming a powerful emblem for the anti-colonial nationalisms being born."
    — 

    Benedict Anderson Imagined Communities p. 175

    A fantastic quote. Succinctly summing up the way we associate a map with a geographic outline. Reflecting on Hong Kong, I have the outline of the territory sealed in my mind to such an extent that I could quite accurately draw it freehand. It is only an outline, separated from all surrounding context and removed of any physical feature. But in a rather odd way it is a national representation, it triggers an emotional response, identification, a sense of belonging.